It is one of history’s incongruities that what have become the greatest teabowls in history, like the Kizaemon Ido and the “Powdery” Matsudaira, were created during Korea’s Joseon (or Choson) Dynasty (1392-1910) when the use of tea was in decline in Korea.
The greatest use of tea in Korea took place earlier during the Goryeo (or Koryo) Dynasty (918-1392) when the royal court, aristocracy, Buddhist monks and commoners all celebrated tea for common drink and ritual.
It was during the Goryeo that the Buddhist Way of Tea was more fully developed and practiced. The Way involved a tea bowl not a tea cup and powdered tea. The powdered tea of Goryeo did not come in a can pre-ground into fine powder like the maccha or matcha we enjoy today. Rather, after the tea was pressed into a block it was aged several months before drinking.
Each detail from the preparation of the fire and boiling of water to the careful grinding of the tea into a powder, in the presence of the recipient(s), then the preparation and serving of the tea were all part of the Buddhist Way of tea during the Goryeo Dynasty.
Of course Goryeo tea bowls were used. Many were glazed with a celadon glaze.
Some years ago I found such a celadon tea bowl in an antique shop in the USA. It was cracked and chipped but still authentic Goryeo. What a find! Not for its monetary value (which in spite of its age is slight) or its continuing function, but for its grace and color. It is a simple bowl with no carving or inlay, which - if not cracked and chipped - would dramatically raise its monetary value. Our bowl is one of thousands of similar bowls probably made for the common market at the time. But the grace of its curve and the way it fits my hands is unparalleled.
Each time I hold this bowl I am drawn back in time and sit with a monk serving tea in the Goryeo Buddhist Way of Tea. Tea grew wild behind the temple perhaps in a grove of bamboo. There only the fresh new leaves were picked for tea. Then, it was processed by roasting on a hot metal plate. The leaves were pressed into a block and aged until this moment when the monk silently breaks the block of tea and with a special spoon grinds the tea into powder and prepares it. Pure mountain water has been drawn from the temple spring for this moment. The taste is subtle, not strong with a very light slightly burnt flavor – delicious. We sit peacefully and respectfully in meditative silence enjoying the tea, enjoying the bowl, contemplating the moment. Not a word is spoken.
This ancient bowl swells up from a narrow, unpretentious foot and curves subtly near the lip to gently contain the tea. Its color is also subtle like the form. No more graceful form could be imagined.
The interior narrows to a small ring shaped indentation, perhaps to catch the errant tea powder.
We are startled when we see the foot. It is rough, marred by the gravel and clay on which it sat during the firing.
The glaze was applied casually and reveals areas where it pooled to be slightly thicker when the glaze was poured back. The fine crackled surface tells me it was not made in Gangjin but still, for me, it remains a bowl of quality.
Not all celadon bowls are as graceful as mine. The forms of some latter ones are more like Joseon bowls quickly formed and uneven with less marred feet where wads of clay raised this bowl from the floor of the kiln.
Others have upright bodies and tall feet. Notice the difference in reduction on this bowl. It illustrates the importance of the proper reduction to capture the best color. The left side is too oxidized. Had it been over reduced, it would have been more gray.
Still others are refined and fluted, testimony to the skill of the artist.
Perhaps most surprising were copper red under-painted celadon tea bowls such as this one found in the British Museum, London. I have heard that Korea used copper red 200 years before China.
Many others, with similar form as mine, were carved and inlayed. Such a piece is this 13th c black and white slip inlayed tea bowl that at one time was in the Gregory Henderson Collection presumed given to Harvard University after Henderson’s untimely death.
But for me, none can match the subtle beauty of my cracked and chipped antique shop find.
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Your comments and questions are welcome.
I apologize to those museums or private collections whose celadon tea bowls I have displayed without credit. I have no idea where or when I found these images as they have been part of my image collection for some time. If the image is yours please contact me with proof of ownership and I will either credit your collection or remove the image. Thank you.
My personal thanks to Alan Covell for permission to publish the copper red and Henderson teabowl from the book The World of Korean Ceramics. If you have an interest in a copy of this out of print book, contact me.
For more information on celadon go to the web site Gangjin Celadon.Com.
To see some wonderful celadon, additional Korean ceramics and other art visit the Leeum Museum in Seoul. To take the virtual tour, go to the website, click on Exhibitions and then click on Permanent Exhibitions. The virtual tour is great but a real tour would be better. We are planning a very special tour for May 2013. It will combine tea and ceramics including the Mungyeong Tea Bowl Festival, the WOCEF Ceramic Biennale, great ceramic artists and trace the history of tea. You will stay in an ancient temple, enjoy the Korean Way of Tea served by a Seon monk and pick and process your own tea. Mention this blog and receive a free copy of The Korean Way of Tea and possibly other incentives. I didn't mean to announce this yet but we always visit the Leeum and it seemed appropriate. I didn't want to make this blog a commercial for tours. All tours are non profit and sometimes partly subsidized as our goal is simply to promote Korean arts and culture. You can pre-register at the Tea Tour website. Preregistration doesn't obligate you to go but will keep you informed. We have no advertising budget so please tell your friends.
Your comments and questions are welcome.
